XIYAN的作业

Apr 30th, 2004

说来惭愧,咱家的平生绝学都是来自镇上的租书店,10元钱可以看三十本书,在没有推理小说看的情况下,俺就看科幻小说,要是没有科幻小说,俺就看武侠小说,要是没有武侠小说,俺就看漫画,要是没有漫画,俺就只好看其他题材的通俗小说。通俗小说中也有令俺爱不释手的,比如王小波的小说,居然看着看着就被人告知说王小波去世了,他的小说已经升级成为名著了。
按照俺有限的智商来区别名著和通俗小说,可不是用时间--给它一万年,看它还是不是还象现在一样拽--俺可等不到。俺想,在简体中文范围内,凡是俺看不懂的,理解不了的,朕统统封它们为名著,用黄金纸层层包住锁进红木箱子里,非白头发长胡子眼镜度数小于等于1000者不许看。
这样一来池莉就可怜了,因为她的小说俺能看的懂,所以在俺的心目中,它们就算是通俗小说了。而这一点恰好也与池莉本人的看法一致。在一本书的跋里,池莉说到她写小说的目的--好像没有讲到她超强烈的创作欲望--她说她在这个世界上至少会有一个人被她的作品打动,而那,将会是一件美好的事情。
池莉不停地写着小说,故事虽然不同,但是不同的故事里面总是在重复着某一部分东西,人物性格啊语言啊思想活动啊叙述的语气啊。。。看多了总是记不住,而且容易张冠李戴。比如说要不是《云破处》里面的真善美杀死了金祥,我会以为他们就是《来来往往》里面的康伟业和段丽娜。不过俺倒不在乎,俺注重的是情节,情节!另外,在重复又重复的创作过程中,总会有一两篇脱颖而出的吧。
池莉说,写小说第一要紧的是好看。好看包括什么捏?俺以为第一是语句通顺连贯简单易懂;第二是情节安排奇巧令人耳目一新;第三是看完后令人印象深刻,发人深省倒没必要,象俺这样的猪脑子,就喜欢声色刺激,弄高深了也是白费力气。俺想,能发人一般地省省就行了吧~
比如说她有一个短篇,是给我印象最深刻的短篇(MD却记不得名字了),说A在路上远远望见了B,因为两人之间有嫌隙A非常想躲开B,但是最终却没有避开。因为这种尴尬场面在生活中再普通不过了,所以俺深深地被打动了,觉得她写的非常到位。
还有好的小说比如前面提到的《云破处》,《来来往往》,《不要和陌生人说话》, 《小姐你早》。。。(好多记不起名字,5555)
和其他的当代女作家相比,俺觉得池莉更加理性聪明一点。她小心翼翼地和作品中的人物保持着距离(让人感觉她很内敛,不是宣泄型的,不是利用写作之便,趁机塑造心目中完美的自己的那一类人)。开始读池莉的时候会感觉和读张欣的差不多,但是读着读着区别就出来了,池莉的文字冷峻,而且题材广一些。要是选以恋爱婚姻家庭之外的东西为主题的小说,张欣就没啥东东了,可是池莉还有好多,这就是俺更喜欢池莉的地方。
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